Focus on Film History and Theory 2

Zobrazit rozvrh

Kód Zakončení Kredity Rozsah Jazyk výuky Semestr
311FHT2 zkouška 3 3 hodiny výuky týdně (45 minut), 44 až 59 hodin domácí příprava anglicky letní

Garant předmětu

Petra DOMINKOVÁ

Jméno vyučujícího (jména vyučujících)

Petra DOMINKOVÁ

Obsah

The main aim of the course is to prepare students to their state exam from film history and theory, therefore its content overlaps with the state exam questions. During the course following themes (and questions) will be covered:

Výsledky učení

By the end of the course students will:

Předpoklady a další požadavky

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Literatura

BAZIN, André. What Is Cinema? Montreal: Caboose, 2009. Print.

BERNARD, Sheila Curran. Documentary Storytelling. New York: Routledge, 2015.

BORDWELL, David, THOMPSON, Kristin. Film Art: An Introduction. The McGraw-Hill Companies, Inc., 2010. Print.

BORDWELL, David, THOMPSON, Kristin. Film History: An Introduction. The McGraw Hill Higher Education, International Edition, 2003. Print.

BORDWELL, David. On the history of film style. 2nd printing. Cambridge, Mass.: Harvard University Press, 1999. x, 322 s.

CALDWELL, John Thornton. Production Culture. Industrial Reflexivity and Critical Practice in Film and Television. Duke University Press Books, 2008.

COOK, David A. A History of Narrative Film. New York: W. W. Norton, 2016. Print.

DANCYGER, Ken. The Technique of Film and Video Editing. Routledge, 2010.

HAYWARD, Susan. Cinema Studies: The Key Concepts. New York: Routledge, 2000. Print.

CHION, Michel. Audio-vision : sound on screen. New York: Columbia University, 1994. 239 s.

KOZLOFF, Sarah. Invisible Storytellers: Voice-Over Narration in American Fiction Film. University of California Press, 1989. Print.

KOZLOFF, Sarah. Overhearing Film Dialogue. Ewing, NJ: University of California Press, 2000. Print.

LEGRICE, Malcolm. Abstract Film and Beyond. London: MIT Press, 1977.

Movies and Methods. Ed. NICHOLS, Bill. Berkeley, Los Angeles, London: University of California Press, 1976 (vol. 1 + vol. 2). Print.

NICHOLS, Bill. Introduction to Documentary. Indiana: Indiana University Press, 2001.

PETERSON, James. Dreams of Chaos, Visions of Order: Understanding the American Avant-Garde Cinema. Detroit: Wayne State University Press, 1994.

REISZ, Karel. The Technique of Film Editing. New York: Routledge, 2009.

SONNENSCHEIN, David. Sound design: the expressive power of music, voice, and sound effects in cinema. Studio City: Michael Wiese Production, 2001. 243 s. ISBN 97-8-0941188-26-5

SITNEY, P. Adams. Visionary Film. The American Avant-Garde, 1943 – 2000. New York: Oxford University Press, 2002.

VERTOV, Dziga. Kino-Eye: The Writings of Dziga Vertov. University of California Press, 1984. Print.

Hodnoticí metody a kritéria

Students are expected to attend all classes. Participation to class discussion will be significantly taken into account in the final grade. Final Test on the material covered in the course, 10 questions, each for 5 % of the grade.

The course grade will be calculated as follows:

Poznámka

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Rozvrh na zimní semestr 2023/2024:

Rozvrh zatím není připraven

Rozvrh na letní semestr 2023/2024:

06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Po
Út
St
Čt

místnost 241
Učebna 3 (FAMU)

(Lažanský palác)
DOMINKOVÁ P.
09:50–14:45
(přednášková par. 1)
Datum Den Čas Vyučující Místo Poznámky Č. paralelky
09:50–14:45 Petra DOMINKOVÁ Učebna 3 (FAMU)
Lažanský palác
přednášková par. 1

Předmět je součástí následujících studijních plánů