History, Development and Characteristic of Genres

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Garant předmětu

Petra DOMINKOVÁ

Jméno vyučujícího (jména vyučujících)

Petra DOMINKOVÁ

Katedra

Předmět zajišťuje FAMU International

Obsah

The purpose of the course is to introduce students to the characteristic of certain genres, namely melodrama, western, horror, science fiction, gangster, war film, musical, road movie and parody. One lesson will be devoted to film noir, which is sometimes wrongly understood as a genre. After an introduction to the genre, each lesson will focus on one of the genres (with a particular focus on the US cinema), and students will have the opportunity to watch a number of excerpts from films, and will also watch 10 feature films on their own. The emphasis will be on the narrative, the „iconography“ of different genres, and the use of the spoken word.

Výsledky učení

At the end of the course, students will understand the specifics of each genre as well as a term „genre“ on itself. They will be able to define each genre and outline its development. As such, the course does not teach students to write scripts for genre films, but it should help them to do so significantly.

Předpoklady a další požadavky

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Literatura

Altman, Rick. “A Semantic/syntactic Approach to Film Genre.” Cinema Journal 24, no. 3 (Spring 1984), p. 6–18.

Belton, John. American Cinema/American Culture. Rutgers University, 2012. p. 195–219.

Carroll, Noel. “The Nature of Horror.” The Journal of Aesthetics and Art Criticism 46, no. 1 (Autumn 1987), p. 51–59.

Creekmur, Corey K. “On the Run and on the Road: Fame and the outlaw couple in American cinema.” In: The Road Movie Book, ed. by Steven Cohan and Ina Rae Hark. Taylor and Francis ,1997, p. 90–109.

Elsaesser, Thomas. „Tales of Sound and Fury: Observations on the Family Melodrama.“ In: Gledhill, Christine (ed.): Home is Where the Heart is. London : BFI, 1994. p. 43–69.

Kozloff, Sarah. Overhearing Film Dialogue. Berkeley, Los Angeles : University of California Press, 2000.

Langford, Barry. Film Genre: Hollywood and Beyond. Edinburgh University Press, 2005.

Nowell-Smith, Geoffrey. “Minnelli and Melodrama.” In: Nichols, Bill (ed.): Home is Where the Heart is. London : BFI, 1994. p. 190–194.

Place, Janey, and Lowell Peterson. “Some Visual Motifs of Film Noir.” In: Movies and Methods (vol. 1), ed. by Bill Nichols. University of California Press, Los Angeles 1976, p. 325–338.

Schrader, Paul. „Notes on Film Noir.“ In: Film Noir Reader, ed. by Silver, Alain, and James Ursini. Limelight Editions, New York 2001, p. 53–64. Also available here: http://i.mtime.com/Noir/blog/1433838/

Sontag, Susan. “The Imagination of Disaster.” Available at: https://www.commentary.org/articles/susan-sontag/the-imagination-of-disaster/

Hodnoticí metody a kritéria

The final grade will be calculated as follows: Class Attendance and Participation (25%); presentation (25%); midterm essay (25%); colloquium (25%)

Webová stránka předmětu

https://classroom.google.com/c/Mzk3NTc1NjE4NjUw?cjc=s2c62jw

Poznámka

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Další informace

Předmět je součástí nabídky volitelných předmětů fakulty

Rozvrh na zimní semestr 2024/2025:

• Týdenní přehled
• Seznam

Rozvrh na letní semestr 2024/2025:

Rozvrh zatím není připraven

Předmět je součástí následujících studijních plánů

• Cinema and Digital Media - Directing (Povinně volitelné předměty)