OPTIONAL COURSES CINEMATOGRAPHY
Hide subjects not taught in the current semester
| Code | Course Name | Language Instruction | Schedule | WINTER SEMESTER | SUMMER SEMESTER | |||||
| Tutor | completion | ECTS | range | completion | ECTS | range | ||||
| 300MFDR4 | 70th Festival de Cannes 2017 - Festival Strategies Case Study |
English, Czech | Z | 1 | 5/S | Subject is not scheduled | ||||
| 305MYT | A Life of an Original Content on YouTube |
English, Czech | Z | 1 | 5//H | Subject is not scheduled | ||||
| 311MYEAR | A Year at FAMU 1 | English | Z | 3 | 1/T | |||||
| 305MAV | Audience in the Digital Age and Viral Content |
English | Z | 2 | 1/D | Subject is not scheduled | ||||
| 311MBDE | Basic directing elements | English | ||||||||
| 304MBFA | Basics of film architecture | English | Z | 1 | 4/S | |||||
| 304MBPFF | Basics of preparation of Feature Film | English | Z | 1 | 3/S | |||||
| 305MCS | Case Studies with Michael Hausman |
English | Z | 2 | 18/H | Subject is not scheduled | ||||
| 311CEW | Central European Cinemas within the Context of the World Cinema | English | see detail | ZK | 3 | 5/T | ZK | 3 | 5/T | |
| 311MCDMP | Cinema and Digital Media Program Pitching Forum | English | Z | 1 | 3/H | |||||
| 302MCD | Cinergy Master-class with Claire Denis |
English | Z | 1 | 2/D | Subject is not scheduled | ||||
| 300MMDH | Cinergy Master-class with Duane Hopkins |
English | Z | 1 | 10/S | Subject is not scheduled | ||||
| 300MMYC | Cinergy Masterclass with Yves Cape | English | Z | 1 | 2/D | |||||
| 300MGS | Cinergy: Masterclass with Gotz Spielmann | English | Z | 1 | 2/D | |||||
| 311MCN | Comic narratives and writing film comedy | English | Z | 1 | 6/D | |||||
| 373MCPF | Contemporary Psychedelic Film | English | 14:00–17:30 Projection Room |
Z | 1 | 8/S | ||||
| 311MCDT | Creative Documentary Today | English | Z | 3 | 4/D | |||||
| 304EMDC | Digital Compositing |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 311MARNE | Directing for Physicality |
English | Z | 2 | 3/D | Subject is not scheduled | ||||
| 305MFF | FAMUFEST 2017 | English | Z | 1 | 8/S | |||||
| 311MPCS | Film Production - Case Studies |
English | Subject is not scheduled | |||||||
| 311FOCT | Focus on Film Theory | English | Thu 10:40–12:15 Room No. 4 |
Z | 2 | 2h/W | ||||
| 311MKKFI | Getting to Know Each Other |
English | Z | 1 | 1D | Subject is not scheduled | ||||
| 311MGCS | Graduate project Case Studies |
English | Z | 1 | 2/D | Subject is not scheduled | ||||
| 373MHPF | Hand Painted Film (Early and Avant-Garde) | English | Z | 1 | 2/D | |||||
| 300MRS | Hand and Machine |
English | Z | 2 | 1/D | Subject is not scheduled | ||||
| 302MHHH | Hou Hsiao-hsien Round table discussion |
English | Z | 1 | 1/D | Subject is not scheduled | ||||
| 311MHOW | How to Produce Your First Feature |
English | Z | 2 | 2D | Subject is not scheduled | ||||
| 311IIP | Introduction to Intl Film/TV Producing | English | Thu 09:00–10:35 Room No. 1 |
Z | 3 | 2/T | Z | 3 | 2/T | |
| 305MJI | Jihlava Industry Module | English, Czech | Z | 2 | 4/D | |||||
| 302MRNV | Meeting the Romanian New Wave |
English, Czech | Z | 1 | 4/H | Subject is not scheduled | ||||
| 304MEAP | Module "Art prepraration of Black and white film" | English | Z | 1 | 6/S | |||||
| 300MMC | Moving Camera |
English | Z | 4 | Subject is not scheduled | |||||
| 300MPK | Peter Kubelka in Prague - Metaphoric and Metric Films | English | Z | 1 | 2/D | |||||
| 311MPWM1 | Postproduction Workflow Module I (digital) | English | Z | 1 | 1D | |||||
| 311MPWM2 | Postproduction Workflow Module II (film) | English | 10:00–17:00 Room No. 2 |
Z | 2 | 1/D | ||||
| 311MPRO | Profession, Market, Career - How to Become a Filmmaker in the European Audiovisual System |
English | Z | 1 | 2D | Subject is not scheduled | ||||
| 305MQTV | Quality TV |
English | Z | 2 | Subject is not scheduled | |||||
| 311SA1 | Script Analysis 1 | English | Thu 14:00–15:35 Room No. 1 |
Z | 3 | 2/T | Z | 3 | 2/T | |
| 311SA2 | Script Analysis 2 | English | Mon 19:00–22:00 Room No. 1 |
ZK | 3 | 2/T | ||||
| 311SFP1 | Short Film Practical Analysis: Directing 1 | English | ZK | 3 | 2/T | |||||
| 300MVL | THE VALLEY OF LOVE |
English | Z | 1 | 3/H | Subject is not scheduled | ||||
| 373MLBS | The High and the Low of the 1970s | English | see detail | Z | 1 | 18/S | ||||
| 311RM1 | The Realm of Montage 1 | English | Z | 3 | 3/T | |||||
| 311RM2 | The Realm of Montage 2 | English | Thu 12:20–13:55 Room No. 1 |
ZK | 3 | 3/T | ||||
| 300MSI | The Sparks of Imagination: From the Filmmaker to the Spectator |
English | Z | 1 | 2/H | Subject is not scheduled | ||||
| 300MUTN | The handiest effect tools |
English | Z | 1 | 3/H | Subject is not scheduled | ||||
| 311VT1 | Visual Theory 1 | English | Wed 19:50–21:25 Room No. 2 |
ZK | 3 | 2/T | ZK | 3 | 2/T | |
| 311VT2 | Visual Theory 2 | English | Tue 19:50–21:25 Room No. 1 |
ZK | 3 | 2/T | ||||
| 373MWMW | Wapikoni Mobile Workshop | English | Z | 1 | 6/S | |||||
| 300MWRNC | Whale Rider-Niky Caro |
English | Z | 1 | 3/H | Subject is not scheduled | ||||
| 373MCIDF | Workshop on Chinese Independent Documentary Film and Censorship | English | 14:00–17:00 Projection Room |
Z | 1 | 6/S | ||||