Kompozice 1
| Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
|---|---|---|---|---|---|
| 204MDCO1 | zápočet | 2 | 2 hodiny výuky týdně (45 minut), 32 až 42 hodin domácí příprava | anglicky | zimní |
Garant předmětu
Jméno vyučujícího (jména vyučujících)
Obsah
In this course we focus on working with dramaturgy within composition, but also recording or creating recordings of music, sound, noise and various vocal expressions. It is a setting in which we explore the limits of performativity in sound, a dramaturgy based on the encounter of different sound objects. We will focus on the development of sound and music compositions, building their distinctive dramaturgy, finding adequate ways to
technological, thematic and media solutions, revealing the different qualities of analogue and digital environments, deciding the creation of fully autonomous and original works or the creative appropriation of recordings and sounds of other authors, with decisions for the justification of sampling, ethics and context of the elements cited. All projects are discussed collectively and are subject to the dramaturgical and compositional suggestions of all participants. The course also focuses on music history, particularly 20th and 21st century music, radio art, and other hybrid, multimedia forms in which the performative aspect of sound objects is present.
In the first semester we develop pure sound composition.
Výsledky učení
Course graduate:
- fully one autonomous musical composition; we will focus on their dramaturgical structure;
- will cultivate the ability to listen to various sound, and therefore not only musical, works;
- they will get acquainted with the history of various musical and sound forms, forms of recording, compositional
solutions;
- will cultivate the ability to understand the performative potential of the audiosphere.
Předpoklady a další požadavky
None.
Literatura
Attali Jacques: Noise: The Political Economy of Music
Nicolas Bourriaud: Postproduction
Cage John: Silence, Composition in Retrospect, Selected Letters
Cox Christoph, Warner Daniel (eds.): Audio Culture
Crowley David: Ultra Sounds
Crowley David, Muzyczuk Daniel (ed.): Notes from the Underground, Sounding the Body electric
Denning Michael: Noise Uprising (The Audiopolitics of a world musical Revolution)
Desi Thomas, Salzmann Eric: The New Music Theatre
Dolar Mladen: A Voice and nothing more
Goebbels Heiner: Ästhetik der Abwesenheit / Aesthetics of Absence, Komposition als Inszenierung
Hegarty Paul: Noise Music: A History
Kahn Douglas, Whitehead Gregory: Wireless Imagination
Kahn Douglas: Noise, Water, Meat; Earth Sound Earth Sinal, Mainframe Experimentalism, Source
Kendrick Lynne, Roesner David (ed.) – Theatre Noise
Kittler Friedrich: Gramofon Film Typewriter, Optical Media
Nyman Michael: Experimental Music: Cage and Beyond
Obrist Hans-Ulrich: A Brief History of New Music
Rebstock Matthias, Roesner David: Composed Theatre
Reynolds Simon: Rit it up and start again: Postpunk 1978-1984, Retromania
Ross Alex: The Rest is Noise
Stubbs David: Future Days: Krautrock and the Building of Modern Germany
Toop David: Ocean of Sound, Haunted Weather, Rap Attack No.3, Into the
Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970
Wilson Peter Niklas: Here and now
Žižek Slavoj, Dolar Mladen: Opera’s Second Death
Hodnoticí metody a kritéria
75% attendance and elaboration of the assigned task.
Poznámka
None.
Rozvrh na zimní semestr 2022/2023:
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06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
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| Datum | Den | Čas | Vyučující | Místo | Poznámky | Č. paralelky |
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| Po | 13:00–14:30 | Lukáš JIŘIČKA | Učebna Karlova 26, Praha 1 |
paralelka 1 |
Rozvrh na letní semestr 2022/2023:
Rozvrh zatím není připraven
Předmět je součástí následujících studijních plánů
- Directing of Devised and Object Theatre (povinný předmět s možností opakovaného zapsání)