Theory of Sound for Moving Image
Kód | Zakončení | Kredity | Rozsah | Jazyk výuky | Semestr |
---|---|---|---|---|---|
373TSMI | zápočet | 2 | 24 hodiny SEMINÁŘŮ za celý semestr (45 minut), 32 až 42 hodin domácí příprava | anglicky | zimní |
Garant předmětu
Sara Patrícia DA SILVA PINHEIRO
Jméno vyučujícího (jména vyučujících)
Sara Patrícia DA SILVA PINHEIRO
Obsah
This course will assess the multiple layers in sound theory, with a particular focus on sound for moving image in all its forms: fiction film, documentary, animation, video-art, VR, etc. It approaches the theoretical aspects of sound design while, at the same, time expanding the concept of sound-design itself.
Výsledky učení
-Learning an essential historical accessment of sound design
-Theoretical understanding of the relations between sound and image;
-Understanding the aspects of the soundtrack including foley, ambiance, music and dialogue and their interrelation;
-Understanding the key historical concepts of sound practices, as well as newer and less conventional approaches
-Critical understanding of the biases in historical accessements and breaking its boundaries;
-Theoretical knowleged about sound in other fields: video-art, VR, animation, etc;
Předpoklady a další požadavky
N/A
Literatura
AUGOYARD, J. F. & TORGUE, H. Sonic Experience: A Guide to Everyday Sounds. Montreal: McGill-Queen's University
ALTMAN, R. (org.). Sound Theory/Sound Practice. New York: Routledge. 1992.
WEIS E. e BELTON, J. (orgs.). Film Sound. New York: Columbia University Press. 1985.
FILIMOWICZ, M. Foundations in Sound Design for Linear Media. Routledge 2020
HEGARTY, P. Rumour and Radiation. New York: Bloomsbury. 2015.
CHION, M. Audio- Vision. New York: Columbia University Press
WEIS, E. and BELTON, J. (ed.) (1985) Film Sound. New York: Columbia University Press. 1990
KULEZIC-WILSOM, D. Sound Design Is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack. Oxford University Press, USA, 2019.
WEINEL, J. Inner Sound. Oxford University Press, USA, 2018.
LINGOLD, M. C. MUELLER, D. and TRETTIEN, Digital Sound Studies. Duke University Press, 2018.
Hodnoticí metody a kritéria
Attendance is Required. This course will be based on weekly AV analysis and student’s participation is required. Students' evaluation will consist of a final presentation of a topic of their choice (in relation to the class).
Poznámka
-
Please note our first meeting will be Monday October 10th.
Rozvrh na zimní semestr 2022/2023:
06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
|
|
---|---|
Po |
|
Út |
|
St |
|
Čt |
|
Pá |
|
Datum | Den | Čas | Vyučující | Místo | Poznámky | Č. paralelky |
---|---|---|---|---|---|---|
Po | 17:20–18:55 | Sara Patrícia DA SILVA PINHEIRO | Učebna 6 (FAMU) Lažanský palác |
přednášková par. 1 |
Rozvrh na letní semestr 2022/2023:
Rozvrh zatím není připraven
Předmět je součástí následujících studijních plánů
- Audiovizuální studia - bakalář_2020 (povinně volitelný předmět)