Experimental film and Ecology
| Code | Completion | Credits | Range | Language Instruction | Semester |
|---|---|---|---|---|---|
| 300MEFE | credit | 1 | 8 seminar hours (45 min) of instruction per semester, 19 to 24 hours of self-study | English | summer |
Subject guarantor
Name of lecturer(s)
Department
The subject provides Subjects and study plans provided by faculty
Contents
Date and venues:
15/5/2025 Thursday
15.00 - 16.30 Lecture „Experimental film and Ecology“, FAMU, Smetanovo nábřeží 2, classroom U1, 1st floor
18.00 screening „Ecological Adventures“ , Cinema Ponrepo, Bartolomějská 11, Praha 1
https://nfa.cz/cs/61966-ecological-adventures?screening=61967
Lecture „Experimental film and Ecology“ followed by screening „Ecological Adventures“ presented by (Dr.) Kim Knowles (Aberystwyth University), in English.
„In this presentation, I will explore the relationship between experimental film and ecology and will discuss the importance of auto-ethnography and auto-theory to my practice as an academic, curator and filmmaker. I have been grappling for several years with Timothy Morton’s notion of ‘the ecological thought’, which I see as perfectly aligned with modes of expression characteristic of experimental film practice. What strikes me about contemporary eco-philosophy is its invitation to move beyond ecological subject matter and towards an interrogation of form. What is the form of ecological thought, and by extension, what are the formal possibilities of ecological representation? The ideas explored in this presentation lay the foundations for a more sustained discussion of the relationship between experimental film aesthetics and ecological thinking that will eventually take the form of my next monograph.“
Learning outcomes
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Prerequisites and other requirements
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Literature
Recommended or required reading:
KNOWLES, Kim (2020). Experimental Film and Photochemical Practices. Palgrave Macmillan
KNOWLES, Kim (2017). (Re)visioning Celluloid: Aesthetics of Contact in Materialist Film in M. Beugnet, A. Cameron and A. Fetveit (dir.), Indefinite Visions: Cinema and the Attractions of Uncertainty, Edinburgh: Edinburgh University Press, 2017, pp. 255-272.
MORTON, Timothy. Being ecological. Cambridge, Massachusetts: The MIT Press, 2018, xlii, 172. ISBN 9780262038041.
Staying with the trouble : making kin in the Chthulucene. Edited by Donna Jeanne Haraway. London, [England]: Duke University Press, 2016, 1 online. ISBN 9780822373780.
Framing the worldexplorations in ecocriticism and film. Edited by Paula Willoquet-Maricondi. Charlottesville: University of Virginia Press, 2010, xvii, 258. ISBN 9780813930664.
The ecological thought. Edited by Timothy Morton. Cambridge, Mass.: Harvard University Press, 2010, x, 163 p. ISBN 9780674056732.
HARAWAY, Donna Jeanne. The companion species manifesto: dogs, people, and significant otherness. Chicago: Prickly Paradigm Press, 2003, 98 stran. ISBN 0971757585.
Evaluation methods and criteria
Attendance at the lecture at FAMU and the accompanying screening in Ponrepo, signature on the attendance list.
Note
Dr Kim Knowles is Senior Lecturer in Alternative and Experimental Film and Head of Department (Theatre, Film & Television Studies) at the Aberystwyth University in Wales. Kim has also been Experimental Film Programmer for the Edinburgh International Film Festival and is regularly invited to film festivals around the world.
Dr Knowles's current research explores the relationship between film and eco-philosophy, particularly within the context of non-human representation and animal worlds. Her recent book Experimental Film and Photochemical Practices assesses the contemporary status of analogue film (primarily 16mm) and argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Kim is now working on a monograph on multispecies cinema.
Schedule for winter semester 2024/2025:
The schedule has not yet been prepared
Schedule for summer semester 2024/2025:
| Date | Day | Time | Tutor | Location | Notes | No. of paralel |
|---|---|---|---|---|---|---|
| 15.05.2025 | 15:00–16:30 | Alexandra MORALESOVÁ | Room No. 1 Lažanský palác |
Lecturer: Dr. Kim Knowles. Place: clasroom U1 | lecture parallel1 | |
| 15.05.2025 | 18:00–20:00 | Alexandra MORALESOVÁ | Poněšice Poněšice |
Lecturer: Dr. Kim Knowles.Place: Cinema Ponrepo, Bartolomějská 11, Praha 1 | lecture parallel1 |
The subject is a part of the following study plans
- Scriptwriting and Dramaturgy - Bc (Elective subjects)
- Scriptwriting and Dramaturgy - Master (Elective subjects)
- Film Directing_Bachelor_2021 (Elective subjects)
- Film Directing - Master (Elective subjects)
- Documentary Film - Bachelor_2020 (Elective subjects)
- Documentary Film - Master_2022 (Elective subjects)
- Cinematography_3_2021 (Elective subjects)
- Cinematography Bachelor_2021 (Elective subjects)
- Cinematography - Master_2021 (Elective subjects)
- Produkce - Bakalářské studium - 2023 (Elective subjects)
- Production - Master (Elective subjects)
- Montage_2020 (Elective subjects)
- Editing - Bachelor_2021 (Elective subjects)
- Editing - Master_2021 (Elective subjects)
- Photography CZ - bachelor_2022 (Elective subjects)
- Photography CZ - Master_2021 (Elective subjects)
- Photography EN - Bachelor - 2022 (Elective subjects)
- Photography EN - Master - 2022 (Elective subjects)
- Sound Design - Bachelor_2020 (Elective subjects)
- Sound Design - Master_2021 (Elective subjects)
- Animation - Bachelor_2020 (Elective subjects)
- Animation - Master_2021 (Elective subjects)
- Cinema and Digital Media - Directing (Elective subjects)
- Game Design - Master (Elective subjects)
- Audiovisual Studies - Bachelor_2020 (Elective subjects)
- Audiovisual Studies - master_2021 (Elective subjects)
- Audiovisual Studies - Master 2024 (Elective subjects)
- Research and Theory of Audiovision 2021 (Elective subjects)
- Research and Theory of Audiovision 2023 (Elective subjects)
- Research and Theory of Audiovision 2025 (Elective subjects)