Sound Gallery

Zobrazit rozvrh

Kód Zakončení Kredity Rozsah Jazyk výuky Semestr
373SG zápočet 2 24 hodiny SEMINÁŘŮ za celý semestr (45 minut), 32 až 42 hodin domácí příprava anglicky letní

Garant předmětu

Jméno vyučujícího (jména vyučujících)

Sara Patrícia DA SILVA PINHEIRO

Katedra

Předmět zajišťuje Centrum audiovizuálních studií

Obsah

This course includes the historical context and basic theoretical concepts of sound in gallery from avant-garde experiments with sound in the 1970s to contemporary practices. In general, the subject relates to a work of art dominated by the medium of sound and with an emphasis on the gallery space, which encompasses the full range of artistic approaches, including those that incorporate elements of performance. In accordance with the framework of this lecture, the course is not structured chronologically, but on the basis of key themes and artistic practices towards an understanding of sound installations.

Výsledky učení

Students become aware of the uses of sound in the gallery. Students begin to understand how sound propagates in space and affects the experience of the artwork. Students become aware of the wide literature on sound-gallery-art and current thought in theory of Sound Studies.

Předpoklady a další požadavky

none

Literatura

AUGOYARD, Jean Francois; TORGUE, Henri. Sonic Experience: A Guide to Everyday Sounds. Montreal: McGill-Queen's University Press. 2006. 230 pages. ISBN 978-0773529427.

KELLY, C. 2017. Gallery Sound. Bloomsbury Publishing USA.

ROGERS, H. 2013. Sounding the Gallery: Video and the Rise of Art-Music. Oxford University Press, USA.

DEMERS, Joanna, Listening through the Noise: The Aesthetics of Experimental Electronic Music. New York: Oxford University Press, 2010. 216 pages. ISBN 9780195387667.

HEGARTY, Paul. Rumour and Radiation, Sound In Video Art. New York: Bloomsbury, 2015. 216 pages. ISBN 9780415904575.

KASSABIAN, A. 2013. Ubiquitous Listening: Affect, Attention, and Distributed Subjectivity. Univ of California Press.

Hodnoticí metody a kritéria

Students will be evaluated according to their attendance – min. 75%, participation in class, commitment to the subjects and final presentation.

Poznámka

Week 1 (Feb 10) – Introduction to the class: concepts, goals and tasks

Week 2 (Feb 17) – Space Acoustics in theory: propagation, resonance and reverb

Week 3 (Feb 24) – Sound phemenology: Robert Morris (the box with the sound of its own making, 1999) and Janek Schaefer (recorded delivery, 1995)

Week 4 (Mar 3) – Sound Resonance and Feedback: Alvin Lucier (I am sitting in a Room, 1969); Eliane Radigue, (Feedback works, 1969/70)

Week 5 (Mar 10) – Sound walking theory: Lockwood, Westerkamp and Kubisch

Week 6 (Mar 17) - Sound walking practice: natural, amplified and composed

Week 7 (Mar 24) – EAM, Multichannel and Spatial Music: Philips Pavilion, Expo’58; Otoacoustic emissions: Maryanne Amacher (Sound Characters, 1999; Living Room 1980)

Week 8 (Mar 31) – Sound Performance: Dick Raajmarkers (Intona, 1992)

Week 9 – (April 7) - Installing sound in space: technical riders and set-ups

Week 10 (April 14) – Space Acoustics in practice: impulse response, amplification and phasing in the gallery

Week 11 (April 21) – Velikonoční pondělí

Week 12 (April 28) – student’s presentations

Rozvrh na zimní semestr 2024/2025:

Rozvrh zatím není připraven

Rozvrh na letní semestr 2024/2025:

06:00–08:0008:00–10:0010:00–12:0012:00–14:0014:00–16:0016:00–18:0018:00–20:0020:00–22:0022:00–24:00
Po
místnost SF 3116
Studio FAMU - VR LAB
(Klimentská ulice)
DA SILVA PINHEIRO S.
16:30–18:55
(přednášková par. 1)
Út
St
Čt
Pá
Datum Den Čas Vyučující Místo Poznámky Č. paralelky
Po 16:30–18:55 Sara Patrícia DA SILVA PINHEIRO Studio FAMU - VR LAB
Klimentská ulice		 přednášková par. 1

Předmět je součástí následujících studijních plánů