Department of Cinematography
Provided qualifications and study plans
- Cinematography (8204T048) – master's programme
- Cinematography (8204R019) – bachelor's programme
- Cinematography (8204T019) – master's programme
Provided subjects
Hide subjects not taught in the current semester
| Code | Course Name | Language Instruction | Schedule | WINTER SEMESTER | SUMMER SEMESTER | |||||
| Tutor | completion | ECTS | range | completion | ECTS | range | ||||
| 304OB1 | About Images 1 | Czech | Z | 2 | 2/t | |||||
| 304OB2 | About Images 2 | Czech | Wed 14:00–15:35 Room No. 230 |
ZK | 3 | 2/t | ||||
| 304EAC | Anticorro | English | ZK | 3 | 24/S | |||||
| 304APF1 | Art preparation of Feature Film 1 | English | Z | 1 | 24/S | |||||
| 304APF2 | Art preparation of Feature Film 2 | English | Thu 12:20–15:35 Room No. 230 |
Z | 1 | 24/S | ||||
| 304APA1 | Asistant practice upward limit A 1 |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304APA2 | Asistant practice upward limit A 2 |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304APA3 | Asistant practice upward limit A 3 |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304APA4 | Asistant practice upward limit A 4 |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304APA5 | Asistant practice upward limit A 5 |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304APB1 | Asistant practice upward limit B 1 |
Czech | Z | 2 | Subject is not scheduled | |||||
| 304APB2 | Asistant practice upward limit B 2 |
Czech | Z | 2 | Subject is not scheduled | |||||
| 304APB3 | Asistant practice upward limit B 3 |
Czech | Z | 2 | Subject is not scheduled | |||||
| 304APB4 | Asistant practice upward limit B 4 |
Czech | Z | 2 | Subject is not scheduled | |||||
| 304APB5 | Asistant practice upward limit B 5 |
Czech | Z | 2 | Subject is not scheduled | |||||
| 304APC1 | Asistant practice upward limit C 1 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304APC2 | Asistant practice upward limit C 2 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304APC3 | Asistant practice upward limit C 3 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304APC4 | Asistant practice upward limit C 4 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304APC5 | Asistant practice upward limit C 5 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304EAPE1 | Assistance Praxis - Extra 1 | English | Z | 2 | 5/S | |||||
| 304EAPE2 | Assistance Praxis - Extra 2 | English | Z | 2 | 5/S | |||||
| 304EAPR1 | Assistance Praxis 1 | English | Z | 1 | 5/S | |||||
| 304EAPR2 | Assistance Praxis 2 | English | Z | 1 | 5/S | |||||
| 304EAPR3 | Assistance Praxis 3 | English | Z | 1 | 5/S | |||||
| 304EAPR4 | Assistance Praxis 4 | English | Z | 1 | 5/S | |||||
| 304AP1 | Assistant Practice 1 | Czech | Z | 1 | 20/S | |||||
| 304AP2 | Assistant Practice 2 | Czech | Z | 1 | 20/S | |||||
| 304AP3 | Assistant Practice 3 | Czech | Z | 1 | 20/S | |||||
| 304APR4 | Assistant Practice 4 | Czech | Z | 1 | 40/S | |||||
| 304MADK | Author's Documentary Camera | Czech | Z | 1 | 9/S | |||||
| 304EBV1 | Basics of DaVinci Resolve 1 | English | Z | 1 | 2/T | |||||
| 304ZKP1 | Basics of Working with a Camera 1 | Czech | Z | 1 | 2/T | |||||
| 304ZKP2 | Basics of Working with a Camera 2 | Czech | Tue 10:40–12:15 Room No. 225 |
ZK | 1 | 2/T | ||||
| 304MBFA | Basics of film architecture | English | Z | 1 | 4/S | |||||
| 304MBPFF | Basics of preparation of Feature Film | English | Z | 1 | 3/S | |||||
| 304TCH2 | Black-and-White Measurement | Czech | Z | 1 | ||||||
| 304SM | Camera Angles | Czech | Z | 1 | ||||||
| 304RK | Camera Language |
Czech | Z | 2 | 2/T | Subject is not scheduled | ||||
| 304KOPRO1 | Camera Student Screenings 1 | Czech | Z | 2 | 3/T | |||||
| 304KOPR5 | Camera Student Screenings 5 | Czech | Z | 2 | 3/T | |||||
| 304KOPR7 | Camera Student Screenings 7 |
Czech | Z | 2 | 3/T | Subject is not scheduled | ||||
| 304ECS1 | Camera Techniques Seminar 1 | English | ZK | 1 | 4/T | |||||
| 304ECS2 | Camera Techniques Seminar 2 | English | Wed 09:00–12:15 Room No. 220 |
ZK | 2 | 22/S | ||||
| 304ECS3 | Camera Techniques Seminar 3 | English | ZK | 1 | 4/T | |||||
| 304ECS4 | Camera Techniques Seminar 4 | English | Wed 09:00–12:15 Room No. 220 |
ZK | 1 | 4/t | ||||
| 304SK1 | Camera Work Seminar 1 | Czech | Z | 1 | 3/T | |||||
| 304SEK10 | Camera Work Seminar 10 | Czech | Wed 15:40–17:15 Room No. 230 |
Z | 2 | 2/T | ||||
| 304SK2 | Camera Work Seminar 2 | Czech | Tue 18:10–19:45 Room No. 230 |
Z | 1 | 3/T | ||||
| 304SK3 | Camera Work Seminar 3 | Czech | Z | 1 | 2/T | |||||
| 304SK4 | Camera Work Seminar 4 | Czech | Tue 16:30–18:05 Room No. 221 |
Z | 1 | 2/T | ||||
| 304SK5 | Camera Work Seminar 5 | Czech | Z | 1 | 2/T | |||||
| 304SK6 | Camera Work Seminar 6 | Czech | Tue 13:10–14:45 Room No. 221 |
Z | 1 | 2/T | ||||
| 304SEK7 | Camera Work Seminar 7 | Czech | Z | 2 | 3/T | |||||
| 304SEK8 | Camera Work Seminar 8 | Czech | Tue 15:40–17:15 Room No. 230 |
Z | 2 | 2/T | ||||
| 304SEK9 | Camera Work Seminar 9 | Czech | Z | 2 | 2/T | |||||
| 304KA | Camera and animation | Czech | Z | 2 | 2/T | |||||
| 304KM | Charles Bridge | Czech | Z | 1 | ||||||
| 304TCH1 | Chromaticity | Czech | Z | 1 | ||||||
| 304ECA1 | Cinematography Analysis 1 | English | Z | 1 | 2/T | |||||
| 304ECA2 | Cinematography Analysis 2 | English | Tue 18:10–19:45 Room No. 221 |
Z | 1 | 2/T | ||||
| 304ECA3 | Cinematography Analysis 3 | English | Z | 1 | 2/T | |||||
| 304ECA4 | Cinematography Analysis 4 | English | Tue 12:20–13:55 Room No. 230 |
Z | 2 | 2/T | ||||
| 304ECINT1 | Cinematography Theory 1 | English | ZK | 1 | 2/T | |||||
| 304ECINT3 | Cinematography Theory 3 | English | ZK | 1 | 2/T | |||||
| 304POK | Cinematography: A Practice | Czech | Z | 1 | 24/S | |||||
| 304KOPRO2 | Cinematography: Screenings 2 | Czech | Mon 11:30–13:55 Projection Room |
Z | 2 | 3/T | ||||
| 304KOPR6 | Cinematography: Screenings 6 | Czech | Mon 09:00–11:25 Projection Room |
Z | 2 | 3/T | ||||
| 304KOPR8 | Cinematography: Screenings 8 |
Czech | Z | 2 | 6/T | Subject is not scheduled | ||||
| 304PP | Cinematography: Teaching Practice | Czech | Z | 5 | 20/S | Z | 5 | 20/S | ||
| 304ECRC | Color Reproduction and Colorimetry | English | Mon 12:20–13:55 Room No. 225 |
Z | 2 | 2/t | ||||
| 304ECG1 | Colorgrading Workshop 1 | English | Z | 1 | 2/T | |||||
| 304ECG2 | Colorgrading Workshop 2 | English | Mon 14:00–14:45 Room No. 226 |
Z | 1 | 10/S | ||||
| 304ECE | Colorimetry Excercise | English | Z | 1 | 8/s | |||||
| 304KOLS | Colorimetry and Recording of Color Image | Czech | Mon 09:00–10:35 Room No. 225 |
ZK | 2 | 20/S | ||||
| 304BK1 | Colour Cinematography 1 | Czech | Z | 1 | 2/T | |||||
| 304BK2 | Colour Cinematography 2 | Czech | Tue 15:40–17:15 Room No. 220 |
Z | 1 | 2/T | ||||
| 304BAKI3 | Colour Cinematography 3 | Czech | Z | 2 | 2/T | |||||
| 304BAKI4 | Colour Cinematography 4 | Czech | Tue 17:20–18:55 Room No. 220 |
ZK | 2 | 2/T | ||||
| 304KBAK1 | Colour Correction 1 | Czech | Mon 12:20–13:55 Room No. 225 |
Z | 1 | 2/T | ||||
| 304KBAK2 | Colour Correction 2 | Czech | Z | 1 | 2/T | |||||
| 304KBAK3 | Colour Correction 3 | Czech | Z | 1 | 2/T | |||||
| 304BAE1 | Colour Etude 1 | Czech | Z | 3 | ||||||
| 304BAE2 | Colour Etude 2 | Czech | Z | 3 | ||||||
| 304BAE3 | Colour Etude 3 | Czech | ZK | 7 | ||||||
| 304BP | Colour Process | Czech | Tue 13:10–14:45 Room No. 225 |
ZK | 2 | 20/S | ||||
| 304TCH | Colour Sensitometry | Czech | Z | 1 | ||||||
| 304TCHP | Computational Exam | Czech | Z | 1 | ||||||
| 304VDT | Computer and Digital Technology | Czech | Mon 10:40–11:25 Room No. 225 |
Z | 1 | 10/S | ||||
| 304MKPW | Confrontation - Petr Weigl | Czech | Z | 1 | 4/S | |||||
| 304MKOP | Confrontation - Preparation | Czech | Z | 1 | Z | 1 | ||||
| 304SC | Continuita | Czech | Mon 15:40–17:15 Room No. 230 |
Z | 1 | 2/T | ||||
| 304EC1 | Czech for Cinematographers 1 | English | ZK | 1 | 4/T | |||||
| 304EC2 | Czech for Cinematographers 2 | English | see detail | ZK | 1 | 4/T | ||||
| 304EC3 | Czech for Cinematographers 3 | English | ZK | 1 | 4/T | |||||
| 304TFMP | Dance and film - moving media |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304EMDC | Digital Compositing |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304EDC | Digital Compositing | English | Tue 10:40–12:15 Room No. 226 |
Z | 1 | 2/T | ||||
| 304MRP | Digital Film Restauration | Czech | Z | 1 | 1/D | |||||
| 304DW | Digital Workflow |
Z | 2 | 2/T | Subject is not scheduled | |||||
| 304DW1 | Digital Workflow 1 | Czech | Z | 2 | 2/T | |||||
| 304EDW1 | Digital Workflow 1 | Czech | Thu 14:50–16:25 Room No. 226 |
Z | 1 | 2/T | ||||
| 304DW2 | Digital Workflow 2 |
Czech | Z | 2 | 4/T | Subject is not scheduled | ||||
| 304EDW2 | Digital Workflow 2 | Czech | ZK | 2 | 2/T | |||||
| 304DW3 | Digital workflow 3 | Czech | Z | 2 | 4/T | |||||
| 304DW4 | Digital workflow 4 |
Czech | Z | 2 | 4/T | Subject is not scheduled | ||||
| 304KR1 | Director and Cameraman | Czech | Z | 1 | 26/s | |||||
| 304DOS | Documentary Study | Czech | ZK | 2 | ||||||
| 304DO | Dolly | Czech | Z | 2 | 10/S | |||||
| 304EDO | Dolly | English | Z | 1 | 10/S | |||||
| 304DFF1 | Dramatic Film Forms 1 | Czech | Z | 1 | 2/T | |||||
| 304DFF2 | Dramatic Film Forms 2 | Czech | Mon 11:30–13:05 Room No. 230 |
Z | 1 | 2/T | ||||
| 304KAP | Drawing and Analysis of Space | Czech | Z | 1 | 21/S | |||||
| 304EDA | Drawing and Analysis of Space | English | Z | 1 | 21/S | |||||
| 304SEN | Dreams | Czech | ZK | 2 | ||||||
| 304SZN | Encounters | Czech | ZK | 2 | ||||||
| 304EEX1 | Exponometry Excercise 1 | English | Z | 1 | 2T | |||||
| 304EES | Exponometry and Sensitometry | English | Z | 2 | 2/T | |||||
| 304EFA1 | Film Analysis 1 |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304EFA2 | Film Analysis 2 |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304EFA3 | Film Analysis 3 |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304EFA3X | Film Analysis 3 |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304EFA4 | Film Analysis 4 |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304EFA4X | Film Analysis 4 |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304FE | Film Exponometry | Czech | ZK | 2 | 14/S | |||||
| 304EFI | Film Image use different Film techniques | English | Z | 1 | 2/T | |||||
| 304EFL | Film Laboratory | English | ZK | 1 | 2/T | |||||
| 304FIL1 | Film Laboratory 1 | Czech | ZK | 2 | 2/T | |||||
| 304FIL2 | Film Laboratory 2 | Czech | ZK | 2 | 2/T | |||||
| 304FITE | Film Technology | Czech | ZK | 2 | 2/T | |||||
| 304EFDL4 | Film and Digital Laboratory 4 |
English | ZK | 1 | 2/T | Subject is not scheduled | ||||
| 304FOR | Film image using different techniques | Czech | Mon 14:00–15:35 Room No. 230 |
Z | 2 | 2/T | ||||
| 304PF | Film production project in FramForge | Czech | Mon 17:20–18:55 Room No. 226 |
Z | 2 | 2/t | ||||
| 304KLZ1 | Final Commission 1 | Czech | ZK | 3 | ||||||
| 304KLZ2 | Final Commission 2 | Czech | ZK | 2 | ||||||
| 304KLZ3 | Final Commission 3 | Czech | ZK | 2 | ||||||
| 304ZZTT | Final Exam in Camera Technology | Czech | ZK | 3 | ||||||
| 304ZTT | Final Exam in Film and TV Technology | Czech | ZK | 3 | ||||||
| 304EFE1 | Final Examination 1 | English | ZK | 4 | 5/S | |||||
| 304EFFC | Final Film/Collaboration | English | Z | 6 | 10/S | |||||
| 304EFITE | Final Technical Examination | English | ZK | 3 | 5/S | |||||
| 304EFIT1 | Final Thesis 1 | English | Z | 1 | 10/S | |||||
| 304EFIT2 | Final Thesis 2 | English | Z | 1 | 5/S | |||||
| 304EFIT3 | Final Thesis 3 | English | Z | 1 | 5/S | |||||
| 304DTVF | Forms of Dramatic Television | Czech | Mon 09:50–11:25 Room No. 230 |
Z | 1 | 16/S | ||||
| 304APRP | Graduate Work | Czech | Z | 11 | ||||||
| 304EIN1 | Image narration and current stylization terms 1 | English | Z | 1 | 20/S | |||||
| 304EIN2 | Image narration and current stylization terms 2 | English | Z | 1 | 20/S | |||||
| 304EIN3 | Image narration and current stylization terms 3 | English | Mon 09:00–12:15 Room No. 221 |
Z | 1 | 20/S | ||||
| 304EIN4 | Image narration and current stylization terms 4 | English | Mon 09:00–12:15 Room No. 221 |
Z | 1 | 20/S | ||||
| 304ON | Image narrative and its current stylization trends | Czech | Z | 2 | 25/S | |||||
| 304ON1 | Image narrative and its current stylization trends 1 |
Czech | Z | 2 | 25/S | Subject is not scheduled | ||||
| 304ON2 | Image narrative and its current stylization trends 2 | Czech | Wed 09:00–12:15 Room No. 230 |
Z | 2 | 25/S | ||||
| 304STVC | Introductory TV Exercise | Czech | Z | 1 | ||||||
| 304SCM | Joint Assignment, First- and Second-Year Masters | Czech | Z | 11 | ||||||
| 304SCM1 | Joint Assignment, First- and Second-Year Masters 1 |
Czech | Z | 9 | Subject is not scheduled | |||||
| 304SCM2 | Joint Assignment, First- and Second-Year Masters 1 |
Czech | Z | 9 | Subject is not scheduled | |||||
| 304SCB1 | Joint Assignment, Second- and Third-Year Bachelor 1 | Czech | Z | 6 | ||||||
| 304SCB2 | Joint Assignment, Second- and Third-Year Bachelor 2 | Czech | Z | 6 | ||||||
| 304EJE1 | Joint exercise with FI 1 | English | Z | 1 | 1/T | |||||
| 304EJE2 | Joint exercise with FI 2 | English | Z | 4 | 1/T | |||||
| 304EJE3 | Joint exercise with FI 3 | English | Z | 1 | 1/T | |||||
| 304EJE4 | Joint exercise with FI 4 | English | Z | 4 | 1/T | |||||
| 304DVK | Leonardo da Vinci and Cinematography | Czech | Z | 1 | 2/T | |||||
| 304SVT | Light Tonality | Czech | Z | 2 | ||||||
| 304ELT | Light Tonality | English | Z | 2 | 50/S | |||||
| 304OSV1 | Lighting 1 | Czech | Z | 1 | 2/T | |||||
| 304OSV2 | Lighting 2 | Czech | Tue 14:50–16:25 Room No. 221 |
Z | 1 | 2/T | ||||
| 304OSV3 | Lighting 3 | Czech | Z | 2 | 2/T | |||||
| 304OSV4 | Lighting 4 | Czech | Wed 19:00–20:35 Room No. 4 |
ZK | 2 | 2/T | ||||
| 304ELS1 | Lighting Seminar 1 | English | Z | 1 | 3/T | |||||
| 304ELS2 | Lighting Seminar 2 | English | Tue 09:00–12:15 Room No. 230 |
ZK | 2 | 3/T | ||||
| 304ELS3 | Lighting Seminar 3 | English | ZK | 2 | 2/T | |||||
| 304ZK | Live Concert - seminar |
Czech | Z | 1 | 6/S | Subject is not scheduled | ||||
| 304ZIK | Live Concert - seminar | Czech | Z | 2 | 6/S | |||||
| 304ZKO1 | Live Concert 1 |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304ZKO2 | Live Concert 2 |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304TCH3 | Luminance Meter and Photometer Measuring | Czech | Z | 1 | ||||||
| 304SDP | Master Thesis Outline | Czech | Z | 1 | 6/S | |||||
| 304MET | Metro | Czech | ZK | 2 | ||||||
| 304MCD | Modul "Dialogue Exercise" |
English, Czech | Z | 1 | 10/S | Subject is not scheduled | ||||
| 304MEAP | Module "Art prepraration of Black and white film" | English | Z | 1 | 6/S | |||||
| 304MVP | Module: "Art preparation of black & white film" | Czech | Z | 1 | 9/S | |||||
| 304HUDET | Musical Drama Exercise | Czech | Z | 4 | ||||||
| 304EOP | On Pictures | English | Z | 1 | 2/T | |||||
| 304EOP1 | On Pictures 2 |
English | Z | 1 | 2/T | Subject is not scheduled | ||||
| 304EOP2 | On Pictures 2 | English | Tue 14:50–16:25 Room No. 226 |
Z | 1 | 2/T | ||||
| 304OPTK | Opera and Dance in Film | Czech | Z | 2 | 14/S | |||||
| 304OP1 | Optics 1 | Czech | Mon 14:00–15:35 Room No. 225 |
ZK | 2 | 2/T | ||||
| 304EO1 | Optics 1 | English | Mon 15:40–17:15 Room No. 225 |
ZK | 2 | 2T | ||||
| 304OP2 | Optics 2 | Czech | ZK | 2 | 2/T | |||||
| 304EO2 | Optics 2 | English | ZK | 2 | 2T | |||||
| 304PD1 | Photoshop - Digital special effects 1 | Czech | Z | 2 | 2/T | |||||
| 304PD2 | Photoshop - Digital special effects 2 | Czech | Mon 15:40–17:15 Room No. 226 |
Z | 2 | 2/T | ||||
| 304EPI1 | Pictures 1 | English | Z | 1 | 10/S | |||||
| 304EPI2 | Pictures 2 | Czech | Z | 1 | 10/S | |||||
| 304PRLE | Portrait - Chronicles | Czech | ZK | 2 | ||||||
| 304MKM | Practical example of linking work / costume, mask / in movie |
Czech | Z | 1 | Subject is not scheduled | |||||
| 304EPP | Pre-production planning with Sketchup’s virtual environment | English | Tue 09:00–10:35 Room No. 226 |
Z | 1 | 2/T | ||||
| 304PDP | Preparatory Work for Master Thesis | Czech | Z | 1 | 6/S | |||||
| 304AKP | Present Cameraman Methods | Czech | Z | 1 | 8/S | |||||
| 304MFS2X | Production Design 2 |
English | Z | 1 | 5/S | Subject is not scheduled | ||||
| 304KV | Quartet | Czech | Z | 2 | 10/S | |||||
| 304EKV | Quartet | Czech | Z | 2 | 10/S | |||||
| 304ERB1 | Rainbow 1 | English | Tue 13:10–14:45 Room No. 220 |
Z | 1 | 2/T | ||||
| 304ERB2 | Rainbow 2 | English | Z | 1 | 2/T | |||||
| 304ERB3 | Rainbow 3 | English | Z | 1 | 5/S | |||||
| 304ERE1 | Rainbow Exercise 1 | English | Z | 2 | 24/S | |||||
| 304ERE2 | Rainbow Exercise 2 | English | Z | 6 | 24/S | |||||
| 304SSC3 | Seminar of Common Exercises | Czech | Z | 1 | 1/T | |||||
| 304SSC1 | Seminar of Common Exercises 1 | Czech | Z | 1 | 1/T | |||||
| 304SSC2 | Seminar of Common Exercises 2 | Czech | Tue 15:40–16:25 Room No. 226 |
Z | 1 | 1/T | ||||
| 304SSC4 | Seminar of Common Exercises 4 | Czech | Tue 14:50–15:35 Room No. 220 |
Z | 1 | 1/T | ||||
| 304POP | Sequence Study | Czech | Z | 1 | ||||||
| 304ESIS1 | Shots in Studio 1 | English | Z | 1 | 8/S | |||||
| 304ESIS2 | Shots in Studio 2 | English | Z | 1 | 8/S | |||||
| 304VEF1 | Special Effects in Film and TV 1 | Czech | Z | 1 | 2/T | |||||
| 304VEF2 | Special Effects in Film and TV 2 | Czech | ZK | 2 | 2/T | |||||
| 304VEF3 | Special Effects in Film and TV 3 | Czech | Z | 1 | 2/T | |||||
| 304VEF4 | Special Effects in Film and TV 4 | Czech | Wed 15:40–17:15 Room No. 226 |
ZK | 2 | 2/T | ||||
| 304SP | Sport | Czech | ZK | 2 | ||||||
| 304ZA | Studio Shots | Czech | Z | 1 | ||||||
| 304TVSP1 | TV Image Recording Methods and Practice 1 | Czech | ZK | 2 | 2/T | |||||
| 304TVSP2 | TV Image Recording Methods and Practice 2 | Czech | Tue 10:40–12:15 Room No. 4 |
ZK | 1 | 2/T | ||||
| 304TSR1 | TV Image Recording and Reproduction 1 | Czech | Tue 09:00–10:35 Room No. 225 |
Z | 1 | 2/T | ||||
| 304TSR2 | TV Image Recording and Reproduction 2 | Czech | ZK | 2 | 2/T | |||||
| 304KO | The Camera Eye | Czech | Mon 14:00–15:35 Room No. 4 |
Z | 1 | 2/T | ||||
| 304KDF1 | The Camera in Documentary Film 1 | Czech | Z | 1 | 2/T | |||||
| 304KDF2 | The Camera in Documentary Film 2 | Czech | Thu 17:20–18:55 Room No. 230 |
Z | 1 | 2/T | ||||
| 304KDF3 | The Camera in Documentary Film 3 | Czech | Z | 1 | 2/T | |||||
| 304KDF4 | The Camera in Documentary Film 4 | Czech | Mon 17:20–18:55 |
Z | 1 | 2/T | ||||
| 304FO1 | The Film Image 1 | Czech | Z | 1 | 2/T | |||||
| 304FO2 | The Film Image 1 | Czech | Tue 13:10–14:45 Room No. 4 |
ZK | 1 | 2/T | ||||
| 304SKHF | The Light-tone Conception of a Feature-film | Czech | Z | 1 | 2/T | |||||
| 304NAN | The Stainless-Steel Knife | Czech | ZK | 3 | ||||||
| 304TF1 | Theory of Photographic Picture 1 | Czech | Z | 1 | 2/T | |||||
| 304TF2 | Theory of Photographic Picture 2 | Czech | Tue 16:30–18:05 Room No. 225 |
ZK | 1 | 2/T | ||||
| 304SNSC | Unusual Lighting Situations | Czech | Z | 2 | 2/T | |||||
| 304EN | Unusual Outdoor Sets | Czech | Z | 2 | ||||||
| 304V1 | Visual effects in cinema and tv 1 |
Czech | ZK | 1 | 2/T | Subject is not scheduled | ||||
| 304EVEF1 | Visual effects in film and TV 1 | English | Z | 1 | 3/T | |||||
| 304EVEF2 | Visual effects in film and TV 2 | English | Thu 09:00–11:25 Room No. 226 |
ZK | 2 | 3/T | ||||
| 304EVEF3 | Visual effects in film and TV 3 | English | Z | 1 | 3/T | |||||
| 304VP1 | Visual preparation of feature film 1 | Czech | Z | 2 | 24/s | |||||
| 304VP2 | Visual preparation of feature film 2 | Czech | Wed 12:20–15:35 Room No. 220 |
Z | 2 | 24/s | ||||
| 304MOC1 | Work on Assignments in Another Department 1 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304MOC2 | Work on Assignments in Another Department 2 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304MOC3 | Work on Assignments in Another Department 3 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304MOC4 | Work on Assignments in Another Department 4 |
Czech | Z | 3 | Subject is not scheduled | |||||
| 304MOC5 | Work on Assignments in Another Department 5 |
Czech | Z | 3 | Subject is not scheduled | |||||