Stylish search of the early stage of world cinema

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Garant předmětu

Jméno vyučujícího (jména vyučujících)

Larysa Naumova

Obsah

1. On the way to the invention of cinematography. First movies?

• Emile Reynaud. „Optical Theater“ and screenings of the first tapes. („Poor Pierrot“ (1892), „Around the Cabin“ (1894)).
• T. Edison's search for the invention of the cinematograph. Kinetoscope. „Black Mary“. Tapes by Laurie Dixon and E. Kuhn. Features.

1. Brothers Lumiere and Georges Méliès. First steps or artistic searches?

• Films of the Lumière brothers. Genres and features.
• Georges Méliès films. Directions of experiments, search for form, variety of genres.

1. English cinematography. Beginning. Improvement of technical techniques or creative experiments?

• William Paul and others.
• Brighton School. Activities of James Williamson and George Smith. Peculiarities and differences of the „Brighton school“.
• Mottershaw, Alfred Collins and others. Genres and forms of early English cinema.

1. David Work Griffith and the formation of American cinema. Becoming an art or expanding the boundaries of the attraction?

• „The Birth of a Nation“ (1914). Searches and receptions.
• „Intolerance“ (1916). Searches and receptions.
• Thomas Gasper Ince and the „iron script“.
• Robert Flaherty „Nanook of the North“ (1922).

1. Prominent figures of comic cinema. Features of created images.

• Max Linder.
• Buster Keaton.
• Harold Lloyd.
• Charlie Chaplin.

1. Cinematography of Sweden and Denmark.

• The making of cinema in Sweden. Sweden's first film companies and „Svensk Filmindustri“ (SF). Directors of Sweden, Moritz Stiller and Viktor Sheström. The Swedish School of Psychological Cinema".
• The making of Danish cinema. „Nordisk Film“. Carl Theodor Dreyer („The Passion of Joan of Arc“ (1928)).

1. and 8. Development of German cinema.

• „Ufa“.
• Large-scale productions.
• German Expressionism (Robert Wiene's „Cabinet of Doctor Caligari“ (1920), Paul Wegener, Carl Böze's „Golem“ (1920), Friedrich Murnau's „Nosferatu“ (1922) and other films). Characteristic signs of direction.
• German „camera“ film (Friedrich Murnau „The Last Man“ (1924)). Characteristic signs.
• The work of Fritz Lang („Weary Death“ (1921), „Doctor Mabuse the Player“ (1922), „The Nibelungen“ (1924), „Metropolis“ (1927)).

Výsledky učení

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Předpoklady a další požadavky

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Literatura

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Hodnoticí metody a kritéria

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Poznámka

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